Reredos?

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An altar and reredos from St. Josaphat Catholic Church in Detroit, Michigan. This would be called aretable in many other languages and countries.

Modern glass reredos, Saint Matthew's Church ("the Glass Church"), Millbrook, Jersey.

A reredos or raredos is an altarpiece, or a screen or decoration behind the altar in a church, usually depicting religious iconography or images. In French and sometimes in English, this is called a retable; in Spanish a retablo, etc. It can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry is used, or other fabric such as silk or velvet.

Reredos is derived through Middle English from the 14th century Anglo-Norman areredos, which in turn is from arere behind +dos back, from Latindorsum. The term referred generally to an open hearth of a fireplace or a screen placed behind a table. Used in the 14th and 15th centuries, reredoshad become nearly obsolete until revived in the 19th century.

The retable may have become part of the reredos when an altar was moved away from the wall. For altars that are still against the wall, the retable often sits on top of the altar, at the back, particularly when there is no reredos (a dossal curtain or something similar is used instead). The retable is also where the altar cross, flowers and "office light" type candlesticks sit.

Examples from various churches[edit]

This reredos in Holy Trinity Church, West Bromwich, was provided as part of the war memorials in thanksgiving for the safe return of those serving in the Great War, 1914 - 1919.
This reredos is found under the altar in Ansgar Chapel, the Cathedral of St. John the Divine, NYC.
Altar of The Basilica of Our Lady of the Pillar inZaragoza
Cathedral Basilica of St. Francis, Santa Fe, New Mexico
Main altar retablo of theBasilica Minore del Sto. Niño in Cebu City, Philippines